Duke treguar të gjitha rezultatet 17
Vazo modelet 3D janë të njohura në skena dhe interie.
Një vazo është një enë me formë elegante me dekorime të pikturuara ose të formuara prej balte, porcelani, guri, qelqi, metali dhe materiale të tjera.
Vazo janë interesante, së pari, në kuptimin që imazhet që i dekorojnë ato japin një ide të artit të vizatimit të grekëve të lashtë, të karakterit dhe drejtimit të pikturës së tyre; Së dyti, ilustrimi i këtyre anijeve shërben si një koment i ilustruar në të gjithë antikitetin helenistik: skena mitologjike me personazhe Olympus, skena nga legjendat rreth heronjve, ritet fetare dhe funerale, lojërat gjimnastike, episode të ndryshme publike dhe privatësia.
Që nga fundi i shekullit XIX, Luvri në Paris, Muzeu Britanik në Londër, Pinakoteka e Modernizmit Mynih, Koleksioni Antik (Berlin) dhe Muzeu Arkeologjik Kombëtar i Napolit, Muzeu Arkeologjik Kombëtar (Athina) dhe Shteti Muzeu Hermitage në Shën Petersburg janë veçanërisht të pasura me vazo. Vazurat e balta të pikturuara gjenden kryesisht në varret; ata zakonisht vendoseshin ose vendoseshin pranë trupit të të ndjerit ose vareshin në muret e varrit të varrit. Shumica e këtyre vazove janë të lidhura me sendet shtëpiake. Ka edhe vazo dekorative, si dhe vazo, të cilat u përdorën kryesisht si një dhuratë për zotat dhe njerëzit, ose si shpërblime në gjimnastikë dhe konkurse të tjera.
The first painted vases, which attracted the attention of scientists in the XVII century, were found in Tuscany, and therefore they were considered as works of Etruria; but as of the end of the 19th century, they are considered to be of Greek origin, and only some that clearly differ from the others in form (canopy), clay color, character and content of painting and other features are really Etruscan items.
Vazo janë bërë në pothuajse të gjitha qytetet e Greqisë dhe kolonitë e saj, por Attica ishte qendra kryesore e këtij prodhimi, veçanërisht Athina dhe Korinti. Nga këtu, nëpërmjet tregtisë, u përhapën përgjatë brigjeve të Mesdheut dhe Detit të Zi dhe depërtuan në kontinent.
Regardless of the beauty of their overall appearance, which testifies to how strongly the artistic taste of the ancient Greeks manifested even in similar semi-artisan works, these vases are interesting, first, in the sense that their painting gives an idea of the fine art of this people, of the character and the directions of painting, of which there are almost no real attractions. Secondly, the diversity of these visas, thanks to the variety of subjects she interprets, serves as an illustrated commentary on all Hellenic antiquities: mythological scenes in which all the deities of Olympus are actors, scenes of stories about heroes, religious and funeral rites, gymnastic games, gymnastic classes and private life – such plots, recreated on vases, put the viewer face-to-face with the beliefs and life of a long-gone, highly cultured civilization and help the archeologist to realize much that would remain dark for him m, if he used only the testimony of ancient writers. So it is not surprising that in all the educated countries, scientists are engaged in the study of ancient Greek vases, and in all modern museums in Europe are collecting and gradually replenishing collections of these monuments of antiquity. Particularly rich are the Louvre Museum in Paris, the British Museum in London, the Old Pinakothek in Munich, the Berlin Antique Collection and the National Archaeological Museum in Naples, the National Archaeological Museum in Athens and the Hermitage in St. Petersburg.
Clay painted vases are found mainly in tombs, although they are only rarely found to contain the ashes of the dead. As a rule, vases were placed or placed near a corpse or hung on the walls of a burial vault. Most of them belong to household items: some of them were used for storing loose and liquid household supplies, others for mixing drinks, others for scooping, quarters for perfumes, etc. There were also vases that did not have, obviously, For practical purposes, they were used solely as room decorations, as well as those made primarily for the offering to the gods or for giving out, in the form of rewards, in gymnastic and other competitions (eg, Pan-African amphorae). The appointment of funeral vases had a dual purpose: on the one hand, the deceased’s relatives wished to decorate his last shelter as best as possible, and on the other, to surround him with objects that were useful and pleasing to him on earth, probably in the belief that they could serve him. and in the afterlife.
The first painted vases, which attracted the attention of scientists in the 17th century, were found in Tuscany, and therefore recognized as works of Etruria, but nowadays. The name of their Etruscan is completely abandoned, and everyone, although a little familiar with archeology, There is no doubt that the most important part of them is of Greek origin, and only some are clearly different from the other form (canopies), the color of clay (black clay – booker), the nature and content of the painting and other features. This is actually Etruscan products. Vases were made in almost all cities of Greece and its colonies (see Greater Greece), but Attica, especially Ancient Athens and Corinth, was the main center of production. From here through trade, they spread along the shores of the Mediterranean and the Black Seas and penetrated the continent, with Greek masters, relying on the marketing of their products to barbarians, at times adjusted to their taste, as evidenced by finds made in various remote places, such as Greece, for example. southern Ukraine.
Format më të njohura të skedarëve 3D të vazo të njohura: .3ds .max .fbx .c4d .ma .mb .obj